Tag Archives: RIAA

Against SOPA and PIPA, for an open Internet

If you haven’t heard of SOPA and PIPA, you will today, as reddit, Wikipedia, Google, Craigslist, Free Software Foundation, and many other websites protest those Internet censorship bills today. The so-called Stop Online Piracy Act (SOPA) is a House bill (H.R.3261) and the so-called PROTECT IP Act (PIPA) is a Senate bill (S.968) (most recently renamed Preventing Real Online Threats to Economic Creativity and Theft of Intellectual Property Act of 2011). Both have nothing to do with promoting creativity and everything to do with giving a few large copyright holders priority over the Internet, requiring censorship of links to entire domains. Have you heard of the Great Firewall of China? That’s where the Chinese government censors entire domains such as facebook, youtube, and twitter because they contain some content that the Chinese government doesn’t want distributed. SOPA and PIPA would do the same thing, except putting Hollywood in charge of what would be censored. In a perfect example of the DC lobbying revolving door, former Senator Chris Dodd, now Chairman of the Motion Picture Association of America, called the anti-SOPA blackout an “abuse of power”. Funny how it’s only an abuse of power when we fight back.

If you don’t believe me, listen to Mythbuster Adam Savage.

Here’s a technical explanation. And here’s a letter of objection many of the engineers who built the Internet.

Here’s where the anti-SOPA blackout started: Continue reading →

SOPA Could Destroy the Internet as We Know It —Adam Savage

Congress reconvenes in January and will take up the Internet censorship bills SOPA and PIPA again. The House only deferred SOPA because of widespread public outcry. Proponents of SOPA, funded by big corporate money, are probably just hoping opponents will be distracted by the holidays. Adam Savage reminds us why we need to be vigilant and keep flooding Congress with calls to vote down those bills or anything like them.

MythBuster Adam Savage wrote for Popular Mechanics 20 December 2011, SOPA Could Destroy the Internet as We Know It

Right now Congress is considering two bills—the Protect IP Act, and the Stop Online Piracy Act (SOPA)—that would be laughable if they weren’t in fact real. Honestly, if a friend wrote these into a piece of fiction about government oversight gone amok, I’d have to tell them that they were too one-dimensional, too obviously anticonstitutional.

Make no mistake: These bills aren’t simply unconstitutional, they are anticonstitutional. They would allow for the wholesale elimination of entire websites, domain names, and chunks of the DNS (the underlying structure of the whole Internet), based on nothing more than the “good faith” assertion by a single party that the website is infringing on a copyright of the complainant. The accused doesn’t even have to be aware that the complaint has been made.

I’m not kidding.

He goes on to correctly compare SOPA and PIPA unfavorably to the already bad Digital Millennium Copyright Act (DMCA) of 1998. You remember, the DMCA that big copyright holders used to sue pre-teen video and audio “pirates” and to take down websites on suspicion. Savage cites a case where somebody with no copyright still got YouTube vidoes taken down under DMCA. Yes, SOPA and PIPA are even worse.

If you like YouTube, twitter, facebook, blogs, etc., it’s time to speak up. Call your Senators and House members. Send them email. Write them paper letters. Petition them. Show up at their offices. Petition the White House to veto it if Congress passes it, and any other bills like it. Right now we still have the Internet to organize these things.

-jsq

Payola for the Duopoly

up-need_to_know.jpg ISP meddling with net neutrality could unite indy musicians and record labels against the duopoly:
For the music business, the failure of net neutrality presents several big problems. Musicians are at the vanguard of digital distribution of music files, video files, and other space-gobbling content. Traffic throttling will almost certainly result in placing severe limitations on the amount and kind of content musicians can put out there — and it’s pretty likely that musicians will then be forced into partnering with businesses that have fewer limits and greater access, no doubt for a fee, to get their gear online. Another issue is that, as covered recently in this column, we are seeing a whole new universe of music-related business models, and we need to see some predictability in terms of licensing methods and how artists and copyright owners get paid. One of the most compelling proposals is that P2P music sharing should be rendered commercially viable and copyright-legal by the imposition of a blanket license that would be paid at the gate (i,e., through the ISPs). Institutionalized throttling would take this plan out at the knees.

Another problem is that record labels, distributors and retail chains who are already in desperate jeopardy can’t compete with ISPs and cellular providers who, having launched their own music stores, have all the incentive in the world to steer music consumers to their own services rather than open the pipe for folks to shop elsewhere.

— Net Neutrality, By Allison Outhit, Need to Know, June 2008

This observation comes from Canada, where current attempts by some to pass legislation similar to the U.S. Digital Millenium Copyright Act (DMCA) has suddenly gotten noticed as a path to something music lovers have seen before:
McKie is referring to proposed changes modelled on the American Digital Millennium Copyright Act (DMCA), which call for a much heavier-handed approach to interpreting what kind of content uses are protected by copyright. At the same time a Canadian DMCA would accord “safe harbour” status to service providers to shelter them from a potential onslaught of copyright litigation provided they act quickly to block infringing and illegal actions on their networks. A Canadian DMCA could impact net neutrality by putting police power in the hands of the networks, while providing ISPs with strong incentives to prefer privately-negotiated content distribution deals over the chaos of user-generated traffic. The bottom line is that musicians have come to rely on the net as their number one go-to distribution and marketing tool. The net got that way by being neutral to all comers. Whether you were a platinum seller on Universal, or a couple of unknown basement-dwellers, your video had an equal chance of going viral. Without net neutrality, all the good pipe will get eaten up by whoever has the power to make the deal. Which sounds a lot like the payola days all over again.
Yep, that’s what we’ll get if we don’t have net neutrality: payola for the duopoly.

-jsq