The Internet is their CBGB

If you happened to be a corporation depending on centralized mass media for your livelihood, this might be what you fear:
…one who has loved rock ’n’ roll and crawled from the ranks to the stage, to salute history and plant seeds for the erratic magic landscape of the new guard.

Because its members will be the guardians of our cultural voice. The Internet is their CBGB. Their territory is global. They will dictate how they want to create and disseminate their work. They will, in time, make breathless changes in our political process. They have the technology to unite and create a new party, to be vigilant in their choice of candidates, unfettered by corporate pressure. Their potential power to form and reform is unprecedented.

Ain’t It Strange? By PATTI SMITH, Op-Ed Contributor, New York Times, Published: March 12, 2007

If you happened to be a corporation that recognized market demand when you saw it, you’d find a way to promote and capitalize on emergent global Internet dissemination of music and politics.

We’re talking the Reformation here. Do you want to continue selling indulgences and suppressing Galileo, or do you want to be in the middle of a new information revolution?

-jsq

One thought on “The Internet is their CBGB

  1. John Quarterman

    Since CBGB’s heyday was a long time ago, its importance may need some explanation:
    ‘CBGB was, for the rest of its life, a place of safe haven for the aspiring, the creative and those living in exile from mainstream culture, either by force or choice. The place was a pit, the downstairs toilets infamous. At one point in her second set, Smith wondered aloud if Sirius Satellite Radio was simulcasting the show, as scheduled. “I haven’t seen any Sirius people here,” she said. “Maybe they chickened out.” When guitarist Lenny Kaye told her the equipment and engineers were in the basement, she grinned in amazement. “There’s nothing chicken about being in that basement.”
    ‘Yet CBGB had always been there, until last night, for any musician with a bright new idea, especially those young bands that couldn’t get booked anywhere else in the city. The flood of obituaries for the club has focused, naturally, on its mid-Seventies heyday, when the Ramones, Blondie, Richard Hell and Talking Heads were among the nightly entertainment with Smith and Television. But some of the best shows I ever saw there were in this century, including but hardly limited to: Soundtrack of Our Lives (their first U.S. tour), the Raveonettes (their first U.S. show) and, just a few months ago, proto-metal gods Blue Cheer, who played to what looked like half a house. In comparison, the line into the club last night ran around the block; I was in that line for ninety minutes and missed Smith’s first four songs.’
    http://www.rollingstone.com/news/story/12045842/patti_smith_rocks_final_cbgb_show/
    Patti Smith, Flea Bid Farewell to Iconic Punk Club,
    The legendary NYC rock club gets a worthy send-off courtesy of its most famed progeny,
    by David Fricke, Rolling Stone, 16 Oct 2006
    Smith summed it up:
    “Anyone else could start a club just like it, she said, anywhere in the world. All it takes is the will.”
    -jsq

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